The Ideals Of Instrumental Music Essay -- essays research papers

At one point in the study of the amative period of practice of medicine, we come upon the first of several apparently opposing conditions that plague all attemptsto grasp the meaning of Romantic as applied to the music of the nineteenth century. This opposition involved the relation between music and words. If submissivemusic is the perfect Romantic art, why is it acknowledged that the great masters ofthe symphony, the highest form of instrumental music, were not Romanticcomposers, but were the Classical composers, Haydn, Mozart, and Beethoven? Moreover,one of the most characteristic 19th century genres was the Lied, a vocal piece inwhich Shubert, Schumann, Brahams, and animate being attained a new union between music and poetry. Furthermore, a large number of leading composers in the 19th centurywere extremely kindle and articulate in literary expression, and leading Romantic novelists and poets wrote about music with deep love and insight.The conflict between the ideal of pur e instrumental music (absolute music) as the ultimate Romantic mode of expression, and the strong literaryorientation of the 19th century, was resolved in the conception of program music. Program music, as Liszt and others in the 19th century used the term, is musicassociated with poetic, descriptive, and even narrative subject matter. This is donenot by means of musical figures imitating natural sounds and movements, but by imaginative suggestion. Program music aimed ...