Chinese and American Cultures Essay -- Culture Cultural Tan Jen Essays

Chinese and American CulturesChinese-Americans authors Amy burning and Gish Jen rich person both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is non the problem in and of itself, indeed, it is natural for current culture to gain foothold over yonder culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children. In The Joy Luck Club, Amy Tan calls close attention to the idea of unrealization and forgetfulness. Through these two factors, Tan attempts to explain displacement on the pasts of both mothers and daughters. The daughters, we find, are lose and wandering, and the mothers themselves seem paralyzed by secret pasts of pain and sacrifice. For them, the past is a tenuous, ghostly thing that goes undigested for some time. For many of them, it is not ever talked about. The stopping point of Suyuan Woo is attributed to this She had a new idea in her head, said my father. But before it could come out of her mouth, the thought grew too big and burst. It must have been a very bad idea.The doctor said she died of a cerebral aneurysm. And her friends at the Joy Luck Club said she died just like a rabbit quickly and with unfinished business left behind (Tan 19).Suyuan had a secret that she had kept from her daughter, Jing-Mei her entire life two sisters that had been left behind part she fled from China. While it cannot be said that this was what caused her to have an aneurysm, the symbolism of having unfinished business, and ... ...er granddaughter eating the Chinese side. Addie in Just Wait is withdrawn from her entire family because she simply does not fit in and is placed, with a weak struggle, in the same category as her unwell brother. Duncan in Duncan in C hina cannot accept the China he visits because he only has images of the regal past in his head. Both novel and short story collection reflect the fear of a past being unexplored and left behind. They express deep concern about a lost generation of Chinese-Americans and look desperately for the ignored, shut out past as a result. Works CitedJen, Gish. Whos Irish? New York Alfred A Knopf, 1999.Tan, Amy. The Joy Luck Club. New York G.P. Putnams Sons, 1989.Xu, Ben. Memory and the Ethnic Self Reading Amy Tans Joy Luck Club in Memory, Narrative, and Identity New Essays in Ethnic American Literatures. 261-77.